"In
the sequence where I am burned at the stake, everything was so casual
and hazardous that the bottom of my dress caught fire, and the grips became
hysterical as they tried to pull me off the stake. And I heard Bava shout
the classic line to the cameraman, "Keep shooting!"
Barbara Steele
on the making of Black Sunday (AKA The Mask of the Demon, 1960,
director Mario Bava).
Mario
Bava's first and arguably best film (a case can be made for the creepy
Kill, Baby, Kill), Black Sunday is a glorious, black and white, old
school horror film. The former cinematographer Bava crams every scene
with mucho atmosphere and overwhelming dread. Bava's imagery is so powerful
the film could have easily done away with dialogue and been offered
up as a silent classic.
You want the perfect
Halloween horror film look no further. Crumbling castles set against
endless sunless skies, Gnarled tree limbs shaped like bony hands,
misty decrepit graveyards, a mysterious carriage moving silently
through the fog filled night, every frame feels old and dead.
Black Sunday has the look of a classic Universal film but Bava's
camera is more restless, a precursor to the extreme movement later
employed by Dario Argento. Bava also punctuated Black Sunday with
a series of shocking, graphic images which led to its being banned
in England.
Nobody who has
seen the film will likely forget the image of the huge, spike
laden, demon mask being pounded into Barbara Steele face. Or the
scene where Steele's mask is removed to reveal a hole strewn face
crawling with maggots, worms and scorpions.
The plot, based
on Gogol's The Vij, concerns the witch Asa (Barbara Steele) and
her lover Javuto (Arturo Dominici). Before being put to death
for their evil ways Asa puts a curse on her brother and swears
to return to deal with his descendants. Two hundred years later
Asa awakens after the blood of a visiting doctor is dropped on
her tomb. Meanwhile the lovely Katia
(also Barbara Steele, in
the first of her numerous career double roles) walks the ruins
with a pack of frightening dogs. She runs into the doctors and
begins revealing the secrets of the haunted region. Then...if
you haven't seen the film it's time to go check it out. Black
Sunday is best watched on a cold, windy, stormy night with the
fireplace roaring. A good cigar, your favorite chair, a tasty
stout and a tumbler of whiskey will prepare you for one of the
all time great horror films.
Of course you can't
discuss Black Sunday without a quick nod to Barbara Steele, the
greatest of all horror actresses. Bava borrowed her from AIP in
America and this would be her first starring role. Steele was
her own special effect. Light her in a flattering way with nice,
soft light and she was stunningly beautiful. Light her sharply
from below or above and her bizarre shaped head would take on
a frightening skull like quality. Her unique, strangely shaped
head allowed her to play both the heroine and the villain in numerous
films.