There is no badder
ass killer in the history of cinema than Ogami Itto - the official
Shogun executioner turned ronin, in the outrageously violent and
brilliant Lone Wolf and Cub series. Played by Wakayama Tomisaburo,
Itto is slightly pudgy and older than the typical action icon,
yet Tomisaburo is shockingly athletic and brutal. His sword and
footwork are a blaze of poetic choreography. His near silent assassin
is played to such mythical proportions that the viewer doesn't
doubt for a second Itto's ability to dispatch fifty or so men
at a time.
Ogami Itto is
wrongfully accused of being a traitor by the evil and insane Lord
Yagyu Retsudo. As if this insult to his pride was not enough,
Retsudo has Itto's wife murdered causing Itto to give his infant
son a choice. If he reaches for a ball he will be killed and join
his mother, reach for the samurai sword and he will join his fathers
quest for vengeance and bloodshed. Daigoro crawls towards the
sword and thus the journey begins.
Ogami Itto crafts
a baby cart for his son to ride in filled with hidden swords,
machine guns, flying knives, bullet proof shields, and blades
that expand from the wheels cutting the feet off of oncoming enemies.
Soon the blood starts flying as whole armies of men are sliced
to shreds by the seemingly unbeatable Itto. Easily the most violent
action films ever made, there is no part of the human body that
isn't at some point hacked off, as Itto must fight not only Yagyu
troops but hidden ninjas. The ninjas ingeniously disguise themselves
as regular citizens - from seemingly friendly wash woman to bath
attendants - Itto, and the viewer are never allowed a moments
respite.
Parts of the six
film series were spliced together and badly dubbed by Roger Corman
and released as Shogun Assassin. This is a nice introduction to
the series, but now that all six are available they must be sought
out in their entirety to fully
enjoy their complex story lines (The LaserDisc edition by AnimEigo
contains a pull out of samurai facts and customs which Lone Wolf
painstakingly recreates).
The first in the
series (released by AnimEigo as part of their Samurai Cinema collection),
is Sword of Vengeance. Itto's story is set as we witness the murder
of his wife and his subsequent massacre of Lord Yagyu Retsudo
henchman. We learn that Retsudo's entire resource of killers are
set out to kill Itto and his son. Itto finds himself imprisoned
by a group of mercenaries who abuse and ridicule him until they
find out his true identity. The head of the mercenaries - in a
classic Lone Wolf scene - stutters Itto's name when he realizes
who they've been torturing. In a flurry of violence Itto makes
hamburger meat out of the clan before continuing his journey.
Baby Cart at The
River Styx is the second in the series, best known for "The
Gods of Death" Itto must dispatch. In a scene relived in
Tarantino's Kill Bill Volume 1, it ends with the last God of Death
complimenting Itto on his technique as his slit throat spurts
blood like a geyser.
In the third film,
Baby Cart To Hades, Itto comes to the rescue of a girl sold into
prostitution. Itto is beaten within an inch of his life in a bizarre
ritual involving being hung upside down, spun, and beaten with
sticks. Itto survives to seek revenge and continue his battles
with various Lord Yagyu Retsudo clans.
Baby Cart in Peril
is the fourth installment. This Lone Wolf is legendary for the
incredible end battle that sees Itto and son battle an army of
hundreds. This one also includes the incredible beheading of swordsman
Yagyu Gunbei.
Baby Cart in the
Land of Demons sees Itto hired by a clan for another assassination
job. The kicker - Itto must kill the clans five best warriors.
In their last breathes each will explain a part of the mission
and give Itto 1/5 of his fee.
The last in the
series is White Heaven in Hell. This is the only film in the series
where Itto shows signs of fear as he must battle supernatural
warriors who can burrow underground. The finale includes an all
out battle in the snow with Itto using the baby cart as a sled!
Created in the
early to mid seventies the series includes great funky music,
the occasional seventies zoom and an insane amount of violence.
Simply put - people get FUCKED up in this series in a variety
of previously unimaginable ways. The revenge factor, so intensely
played by Wakayama Tomisaburo, elevates the films to dizzying
levels. Where Tarantino borrows heavily from Lone Wolf in Kill
Bill, he loses the real hate that a great revenge flick should
have. Lone Wolf sidesteps tongue and cheek dialogue and situations,
instead concentrating on pure rage.
A special note
should quickly be made about the character Daigoro - Itto's son.
For all of you who can't stand the always annoying movie cliché
of the child tagging along with the hero, rest assured. Daigoro
is the coolest tot to ever grace the silver screen. With his badass
haircut he's not above helping his dad slaughter ninja's in his
makeshift cart - occasionally saving his fathers ass - and being
used as a decoy for his fathers advantage. It is the love this
father and son duo have for each other that gives the film its
heart and has the viewers on pins and needles throughout the series.
Highly, Highly
recommended.