When you have completely
given up on the horror genre - when you foolishly plopped down
some of your hard earned cash only to be insulted by such artless
shit as Jeepers Creepers or Gothika - when the sight of the latest
WB teenager of the month cracking a joke at the expense of a genre
you hold dear to your heart puts you in a frenzy - when a classic
film is remade by some MTV director while the original filmmaker
can't scrape enough money together to shoot his own film, it is
time to sit back and relax with an old friend - Night of the Demon
(AKA Curse of the Demon, 1958).
Jacques (I Walked
With A Zombie, The Leopard Man, Cat People, Out of the Past) Tourneur's
masterpiece of the macabre remains one of the best written, creepiest,
most beautifully shot horror films ever made. It really doesn't
get much better than this, a screenwriter and director whose goal
it is to FRIGHTEN you. What makes Tourneur so refreshing is the
man took his material seriously, his horror is the fear of losing
ones mind - of losing control. Monsters and madmen are fine but
Tourneur knows nothing is more frightening than somebody losing
a grip on their sanity.
Tourneur's films
are deeply psychological dramas, but he is also the absolute master
of creeping dread and the horror set up - Night of the Demon is
full of classic Tourneur moments. Scary as hell forests with gnarled
trees, mysterious storms which strike with seemingly supernatural
winds, foggy - smoke filled nights, all lovingly shot in the glory
that is black and white stock. Even scenes filmed in stark daylight
(Holden attending the Satanists' Karswell ultra creepy party)
have such a strong underlying feeling of evil.
Night of the Demon
relies on one of my favorite horror themes, the in control professional
man who doubts the existence of the supernatural only to be scared
shitless by a series of events his professional background can't
explain. In Night of the Demon we have Dr. John Holden (Dana Andrews)
who is set on exposing a Mr. Karswell, a well known witch and
supposed Satanist. Upon meeting Karswell, Holden fails to realize
that the witch has slipped something into Holden's papers.
Invited to Karswell's
sprawling estate Holden is frightened by a powerful display of
Karswell's power. Karswell whips up an intense storm before explaining
to Dr. Holden that he has three days to live. It seems that the
paper Karswell slipped to Dr. Holden calls forth a power that
will kill whoever receives it unless it is passed on. The rest
of the film follows Dr. Holden, who by now is shitting his pants,
as he tries to rationalize the mess he's got himself into.
The screenplay
written by Hitchcock writer Charles Bennett keeps you guessing
until the controversial ending. Is Dr. Holden losing his cool
or is Karswell who he says he is? Will Dr. Holden get his ass
ripped in two by some slobbering demon from hell? Is it all in
his head?
Tourneur and Bennett
wanted to keep these questions rolling but the producer of the
film forced an ending that includes the now infamous demon monster.
Worried that the audience would feel slighted without the easy,
visible payoff, producer Hal E. Chester had the horned beast inserted
much to the chagrin of Tourneur and Bennett.
I have mixed feeling
about the inclusion of the demon - it wasn't necessary and takes
away somewhat from the unknown creepiness the film spent the previous
hour plus to achieve - but as a child I bought any magazine that
contained the image of this huge, hairy, smoky beast. It's a great
looking monster and probably one of the most famous in the genre.
It would be interesting to watch what Tourneur and company had
in mind and compare it with Chester's version.
Bottom line is
if you haven't checked out Night of the Demon, you don't know
horror cinema baby!